Exhibition
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DEMOKRATIE HEUTE – PROBLEME DER REPRÄSENTATION
Pierre Bismuth, Claus Föttinger, Julia Lazarus, Erik van Lieshout, Marina Naprushkina, Oliver Ressler, Anja Schrey, Jonas Staal, Joulia Strauss
Assembly RST
Peter Friedl, Dieter Froelich, Bhima Griem, Nadira Husain, Daniel Johnston, Shila Khatami, Anna Meyer, Peter Niemann, Dan Perjovschi, Elizabeth Peyton, Markus Schinwald, Stefanie von Schroeter, Markus Uhr, Silke Wagner, Johannes Wohnseifer, Christine Würmell
Artists from The Hope Project, Moria
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Occupy, Resist, Produce
Solo exhibition of Oliver Ressler & Dario Azzellini / Curated by Dr. Azadeh Fatehrad
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„Occupy, Resist, Produce“ Eine 4-Kanal Videoinstallation von Dario Azzellini und Oliver Ressler
Im Rahmen der Ausstellung: KONSTRUKTION DER WELT: KUNST UND ÖKONOMIE - 1919-1939 UND 2008-2018: „… verdeutlicht diese Themenausstellung erstmals den dramatischen Einfluss der Ökonomie auf die Kunst in einem weltweiten Vergleich und zeigt dies in der Gegenüberstellung zweier Epochen auf.“
es wird vorgestellt:
Occupy, Resist, Produce
Eine 4-Kanal Videoinstallation von Dario Azzellini und Oliver Ressler, 131 min. (gesamt), 2014 – 2018
Termine:
Dario Azzellini & Oliver Ressler OCCUPY, RESIST, PRODUCE Vierkanal-Videoinstallation (2014-2018)
Im Rahmen der Ausstellung:
NACH DEM BEAUFSICHTIGEN DER MASCHINEN:
PERFORMANCE, INSTALLATION UND INTERVENTION IM ÖFFENTLICHEN RAUM:
Termine:
„Occupy, Resist, Produce“ Eine 4-Kanal Videoinstallation von Dario Azzellini und Oliver Ressler
„… verdeutlicht diese Themenausstellung erstmals den dramatischen Einfluss der Ökonomie auf die Kunst in einem weltweiten Vergleich und zeigt dies in der Gegenüberstellung zweier Epochen auf.“
Im Rahmen der Ausstellung: KONSTRUKTION DER WELT: KUNST UND ÖKONOMIE - 1919-1939 UND 2008-2018 wird vorgestellt:
Occupy, Resist, Produce
Eine 4-Kanal Videoinstallation von Dario Azzellini und Oliver Ressler, 131 min. (gesamt), 2014 – 2018
Termine:
A 4-channel video installation by Dario Azzellini and Oliver Ressler
Within the framework of the exhibition
„CONSTRUCTING THE WORLD: ART AND ECONOMY 1919-1939 AND 2008-2018: … this topical exhibition is the first to illustrate the economy’s dramatic influence on art and to make global comparisons, demonstrating these in an analysis of two separate eras“
Presents itself:
Occupy, Resist, Produce
A 4-channel video installation by Dario Azzellini and Oliver Ressler, 131 min. (combined), 2014 – 2018
Termine:
Mikhail Karikis, Dario Azzellini and Oliver Ressler Artists’ Film International
Ain’t Got No Fear (2016) by Mikhail Karikis (b. 1975, Greece) was created with a group of boys from the industrial marshland of the Isle of Grain in South East England. With the sound of a neighbouring power plant being demolished as their beat, the boys rap about past memories and possible futures, while questioning notions of territory and authority. Meanwhile, author-filmmaker Dario Azzellini (b. 1967, Germany) and artist Oliver Ressler (b.
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Repair: Resource
The economic crisis that began in 2007-8 led to layoffs on a massive scale, leaving thousands of newly unemployed workers with little hope of another job. Their response put workers’ control back on the agenda in Europe. For many years beforehand, factories had been occupied and recuperated almost exclusively in Latin America.
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Dizziness – Navigating the Unknown
In cooperation with CCA Ujazdowski Castle Warsaw, Diagonale´17, MEGAPHON and the Institute for Differential Psychology, University of Graz. Supported by the Academy of Fine Arts Vienna, Dizziness - A Resource (FWF-Peek) and the David Herzog Fund of the Styrian Universities.
Curated by: Katrin Bucher Trantow, Ruth Anderwald and Leonhard Grond
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OLIVER RESSLER. PROPERTY IS THEFT
Property is theft! (La propriété, c’est le vol!, the famous declaration made by French anarchist Pierre-Joseph Proudhon in 1840, has the impact of a political slogan and serves as the title of Austrian artist Oliver Ressler’s first survey exhibition in Romania. The crisis of Neoliberalism, Oliver Ressler’s favourite theme throughout his activity over the past twenty years, points to the fundamentally economic understructure of all present social and political imbalances.
